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The Enchanted Landscape: Photographs 1940-1975 (Hardcover) newly tagged "photography"




With a Preface by L. Carrington Goodrich.

Reprinted for the first time since its original publication twenty years ago, The Face of China is an evocative and candid collection of some of the first photographs made in that country. Along with descriptive captions, these images describe the daily life and surroundings of an era now passed.

The people are as seen through Western eyes, and the places are as traversed by foreigners. These early photographers were explorers and adventurers. They lugged huge cameras with heavy glass plates over rugged, unfamiliar terrain. Interspersed throughout the book are passages from significant texts and travelers' diaries, observations and opinions that echo and illuminate the images.

For many Chinese, these photographers were the first white faces ever seen, and they carried with them previously undreamed-of contraptions. For all this, there is an unguarded air to many of the portraits, and the street scenes have the candid look of today's street photographer.






With a Preface by L. Carrington Goodrich.

Reprinted for the first time since its original publication twenty years ago, The Face of China is an evocative and candid collection of some of the first photographs made in that country. Along with descriptive captions, these images describe the daily life and surroundings of an era now passed.

The people are as seen through Western eyes, and the places are as traversed by foreigners. These early photographers were explorers and adventurers. They lugged huge cameras with heavy glass plates over rugged, unfamiliar terrain. Interspersed throughout the book are passages from significant texts and travelers' diaries, observations and opinions that echo and illuminate the images.

For many Chinese, these photographers were the first white faces ever seen, and they carried with them previously undreamed-of contraptions. For all this, there is an unguarded air to many of the portraits, and the street scenes have the candid look of today's street photographer.



Think Complexity: Complexity Science and Computational Modeling (Kindle Edition) newly tagged "photography"




Are you a reasonably competent Python programmer yearning for new challenges? "Think Complexity" definitely delivers some.

Allen B. Downey's well-written new book can help you dive into complexity science and improve your Python skills along the way. It's not just another hello-world, learn-to-program-in-Python text.

"This book," Downey states, "is about data structures and algorithms, intermediate programming in Python, computational modeling, and the philosophy of science." Hello, NEW world.

His new work, he adds, sprang out of a blending of "boredom and fascination: boredom with the usual presentation of data structures and algorithms and fascination with complex systems. The problem with data structures is that they are often taught without a motivating context; the problem with complexity science is that it usually is not taught at all."

Complexity science is the scientific study of complex systems - which can be anything from computer networks to the human brain, global markets, ecosystems, metropolitan areas, space shuttles, ant trails, and so forth. Complexity science is practiced "at the intersection of mathematics, computer science, and natural science," Downey says.

How does "the philosophy of science" fit into Downey's book? "Think Complexity" offers "experiments and results [that] raise questions relevant to the philosophy of science, including the nature of scientific laws, theory choice, realism and instrumentalism, holism and reductionism, and epistemology."

Downey's new work "picks up where Think Python left off" and is intended to appeal to the "broad intellectual curiosity" of software engineers and their "drive to expand their knowledge and skills." There are case studies, exercises, code samples and even mini-lessons within the exercises.

So, before you jump into this book, be sure you are reasonably competent at Python programming and are open to some wide-ranging challenges.

Students at Olin College, where the author is a computer science professor, wrote the case studies for this book. The case studies then were edited by Downey and his wife and reviewed by other Olin faculty members. Appendix A of this book contains a call for readers to submit additional case studies: "Reports that meet the criteria [explained in the appendix] will be published in an online supplement to this book, and the best of them will be included in future print editions."

This might be an offer -- and a Python challenge -- you can't refuse.






Are you a reasonably competent Python programmer yearning for new challenges? "Think Complexity" definitely delivers some.

Allen B. Downey's well-written new book can help you dive into complexity science and improve your Python skills along the way. It's not just another hello-world, learn-to-program-in-Python text.

"This book," Downey states, "is about data structures and algorithms, intermediate programming in Python, computational modeling, and the philosophy of science." Hello, NEW world.

His new work, he adds, sprang out of a blending of "boredom and fascination: boredom with the usual presentation of data structures and algorithms and fascination with complex systems. The problem with data structures is that they are often taught without a motivating context; the problem with complexity science is that it usually is not taught at all."

Complexity science is the scientific study of complex systems - which can be anything from computer networks to the human brain, global markets, ecosystems, metropolitan areas, space shuttles, ant trails, and so forth. Complexity science is practiced "at the intersection of mathematics, computer science, and natural science," Downey says.

How does "the philosophy of science" fit into Downey's book? "Think Complexity" offers "experiments and results [that] raise questions relevant to the philosophy of science, including the nature of scientific laws, theory choice, realism and instrumentalism, holism and reductionism, and epistemology."

Downey's new work "picks up where Think Python left off" and is intended to appeal to the "broad intellectual curiosity" of software engineers and their "drive to expand their knowledge and skills." There are case studies, exercises, code samples and even mini-lessons within the exercises.

So, before you jump into this book, be sure you are reasonably competent at Python programming and are open to some wide-ranging challenges.

Students at Olin College, where the author is a computer science professor, wrote the case studies for this book. The case studies then were edited by Downey and his wife and reviewed by other Olin faculty members. Appendix A of this book contains a call for readers to submit additional case studies: "Reports that meet the criteria [explained in the appendix] will be published in an online supplement to this book, and the best of them will be included in future print editions."

This might be an offer -- and a Python challenge -- you can't refuse.



The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Kindle Edition) newly tagged "photography"




*****
"In conversation with Paul Holdengräber, Eric Kandel will discuss the book already praised by Oliver Sacks as 'a tour-de-force that sets the stage for a twenty-first century understanding of the human mind' in all its richness and diversity."
*

My relation with the Viennese milieu started with my father telling me about the dream city, the reincarnation of late antiquity Alexandria, where I was born after WWII. He took his postgraduate studies in Vienna University before it was annexed by Hitler. Sam, my younger brother was fascinated with Klimt, few of his frescos still hanging on my house walls. But I was a fan of Mozart and Freud, and later I encountered the magical worlds of Dr. Kandell; thanks to the intellectual tours of Charlie Rose.

At the turn of the nineteenth century, Vienna, the pride of the Austrio-Hungarian Empire - was considered the cultural capital of Europe, by my dad and many, with its unique atmosphere and sophisticated charm. Vienna embraced a versatile mix of musicians, scientists and artists, who met in cafes and spent the evenings in sparkling salons, or gathering of people under the roof of an inspiring host, held to amuse one another and enjoy fine taste and broaden their knowledge through conversation.

They used liberal discussions, of novel ideas that may have led to inventive conclusions, with influential results in psychology, brain science, and innovation of literature, and art. Sigmund Freud, Gustav Klimt, among many others began exploring a charming new territory: the then mystical unconscious. The School of Medicine in Vienna University paved the way to break through of modernity, once its realization was revealed, that truth lies hidden beneath the surface of reality, which inspired and enhanced a wide spectrum of pioneers allover Europe.

That principle was the motivation behind Sigmund Freud who shocked the world with his revelations of our everyday unconscious erotic desires and aggressive reactions, disguised in symbols, and repressed into dreams. Schnitzler even discussed the taboo of women's desires within their repressed sexuality in his novels. Klimt, Kokoschka, and Schiele responded by creating, what was startlingly mindful, and honestly portraying that unconscious desire, high anxiety, and animal lust.

In his book The Age of Insight, Nobel Prize laureate, the gifted neuro-psychiatrist Eric Kandel recovers back to memory these crucial times, at the eruption of the Modern age, and a brand new simulation for the human brain, creativity initiated and dramatically realized. The story is dramatized and told by the inspiring Troubadour around the inventive genius of 1900 Vienna. Freud, Klimt, and the whole bunch spear headed by their School of Medicine, and how they, in turn, galvanized the pioneers of Art History into modern historiography?

In "The Age of Insight, wonderfully written by professor Kandel, one of the pioneers of creative scientific thinking, at least in his overlapping domains, exposing these Viennese innovators under today's scientific tools of examination, from Cat scan to ultra sound in an effort to expose and frame the modern era art of Klimt, et al, reflecting on its roots in the thought of Freud and school. He utilizes an enhancement in the leadership of an intellectual enquiry that began in Vienna 1900. Very well researched, and artfully illustrated. This is an extraordinarily amazing work from a celebrated leader in neuroscience whose miracle is creating the time of this encyclical essay.






*****
"In conversation with Paul Holdengräber, Eric Kandel will discuss the book already praised by Oliver Sacks as 'a tour-de-force that sets the stage for a twenty-first century understanding of the human mind' in all its richness and diversity."
*

My relation with the Viennese milieu started with my father telling me about the dream city, the reincarnation of late antiquity Alexandria, where I was born after WWII. He took his postgraduate studies in Vienna University before it was annexed by Hitler. Sam, my younger brother was fascinated with Klimt, few of his frescos still hanging on my house walls. But I was a fan of Mozart and Freud, and later I encountered the magical worlds of Dr. Kandell; thanks to the intellectual tours of Charlie Rose.

At the turn of the nineteenth century, Vienna, the pride of the Austrio-Hungarian Empire - was considered the cultural capital of Europe, by my dad and many, with its unique atmosphere and sophisticated charm. Vienna embraced a versatile mix of musicians, scientists and artists, who met in cafes and spent the evenings in sparkling salons, or gathering of people under the roof of an inspiring host, held to amuse one another and enjoy fine taste and broaden their knowledge through conversation.

They used liberal discussions, of novel ideas that may have led to inventive conclusions, with influential results in psychology, brain science, and innovation of literature, and art. Sigmund Freud, Gustav Klimt, among many others began exploring a charming new territory: the then mystical unconscious. The School of Medicine in Vienna University paved the way to break through of modernity, once its realization was revealed, that truth lies hidden beneath the surface of reality, which inspired and enhanced a wide spectrum of pioneers allover Europe.

That principle was the motivation behind Sigmund Freud who shocked the world with his revelations of our everyday unconscious erotic desires and aggressive reactions, disguised in symbols, and repressed into dreams. Schnitzler even discussed the taboo of women's desires within their repressed sexuality in his novels. Klimt, Kokoschka, and Schiele responded by creating, what was startlingly mindful, and honestly portraying that unconscious desire, high anxiety, and animal lust.

In his book The Age of Insight, Nobel Prize laureate, the gifted neuro-psychiatrist Eric Kandel recovers back to memory these crucial times, at the eruption of the Modern age, and a brand new simulation for the human brain, creativity initiated and dramatically realized. The story is dramatized and told by the inspiring Troubadour around the inventive genius of 1900 Vienna. Freud, Klimt, and the whole bunch spear headed by their School of Medicine, and how they, in turn, galvanized the pioneers of Art History into modern historiography?

In "The Age of Insight, wonderfully written by professor Kandel, one of the pioneers of creative scientific thinking, at least in his overlapping domains, exposing these Viennese innovators under today's scientific tools of examination, from Cat scan to ultra sound in an effort to expose and frame the modern era art of Klimt, et al, reflecting on its roots in the thought of Freud and school. He utilizes an enhancement in the leadership of an intellectual enquiry that began in Vienna 1900. Very well researched, and artfully illustrated. This is an extraordinarily amazing work from a celebrated leader in neuroscience whose miracle is creating the time of this encyclical essay.



The Photography Workbook (Kindle Edition) newly tagged "photography"




This is the workbook that accompanies the book Photography: Develop your skills one shot at a time. The description of that book is below. In this book you will find exercises that will help you fine tune and hone your photographic skills. You will become proficient at the skills I covered in the main book. You should become comfortable with your shooting and not have to refer to manuals or think to hard. The controls of your camera will become second nature, and manual will be easier and you will recognize the importance of getting out of the automatic zone. Remember, practice doesn't make perfect, rather perfect practice makes perfect. The more you practice the better you will become, that is how it is with everything. I hope you enjoy this workbook and that it improves your ability to take quality photographs.

http://www.amazon.com/Photography-Develop-your-skills-ebook/dp/B007M3OO14/ref=sr_1_1?ie=UTF8&qid=1340070981&sr=8-1&keywords=eric+dahlin

This is what they didn't teach you at the Camera store. Want to become a better photographer? What do you have to do to improve? Do you need to learn the basics? Or refine your skills?

This is the book for you. It covers camera technique, from composition to advanced modes that will help you become a better photographer and improve your pictures.

If you really want to become a better photographer, you need to spend time practicing and learning how to properly use your camera to its full potential. This book will teach you to get off of automatic and achieve great results. The truth is, everyone who has the passion and desire can become a great photographer. The only real difference between professionals and novices is desire and dedication. This book will take your knowledge to a level where you can talk with other photographers and know what you are talking about. Your friends will ask you how you take such great photographs. And best of all, you will know that what makes you a great photographer, is not your camera, but your own creativity and passion. Don't be fooled by all the fancy technology out there, it is useful but it is useless if you are not equipped with the knowledge to properly use it. This book will give you the tools you need to develop your skills, one shot at a time.






This is the workbook that accompanies the book Photography: Develop your skills one shot at a time. The description of that book is below. In this book you will find exercises that will help you fine tune and hone your photographic skills. You will become proficient at the skills I covered in the main book. You should become comfortable with your shooting and not have to refer to manuals or think to hard. The controls of your camera will become second nature, and manual will be easier and you will recognize the importance of getting out of the automatic zone. Remember, practice doesn't make perfect, rather perfect practice makes perfect. The more you practice the better you will become, that is how it is with everything. I hope you enjoy this workbook and that it improves your ability to take quality photographs.

http://www.amazon.com/Photography-Develop-your-skills-ebook/dp/B007M3OO14/ref=sr_1_1?ie=UTF8&qid=1340070981&sr=8-1&keywords=eric+dahlin

This is what they didn't teach you at the Camera store. Want to become a better photographer? What do you have to do to improve? Do you need to learn the basics? Or refine your skills?

This is the book for you. It covers camera technique, from composition to advanced modes that will help you become a better photographer and improve your pictures.

If you really want to become a better photographer, you need to spend time practicing and learning how to properly use your camera to its full potential. This book will teach you to get off of automatic and achieve great results. The truth is, everyone who has the passion and desire can become a great photographer. The only real difference between professionals and novices is desire and dedication. This book will take your knowledge to a level where you can talk with other photographers and know what you are talking about. Your friends will ask you how you take such great photographs. And best of all, you will know that what makes you a great photographer, is not your camera, but your own creativity and passion. Don't be fooled by all the fancy technology out there, it is useful but it is useless if you are not equipped with the knowledge to properly use it. This book will give you the tools you need to develop your skills, one shot at a time.



Picturing Us: African American Identity in Photography (Paperback) newly tagged "photography"




Dr. Willis has done something terrific here. She begins assertively and positively, naming a central problem: the depiction of black "otherness" in historical photographic representation. She loves photography, a medium that has "given me the opportunity to walk through history." She believes in photography - and her understanding of the medium's power and her ability to teach it to maximum effect are at the heart of this successful book.

Eighteen contemporary African American artists, writers, poets, professors, and critics contributed essays. As a jumping-off point, the contributors begin with a photograph of their choosing. There are around fifty photos in this book, one image often leading to another.

In some cases, the stories are easier to come by than the photos. Vertamae Smart-Grosvenor writes, "If family stories were photographs, I'd need a small museum to house them, but a shoebox could house all the photos I have of my family." Her amazing grandmother gazes forthrightly at the photographer, but it's the remarkable family stories that are left.

Big themes challenge the reader. Family histories, objective and subjective views of African American culture, suffering and diaspora are, not surprisingly, woven through many of these essays. Some of the photos are well-known; others, not. Contributors chose family photos, and others present personally experienced public images. Robert A. Hill writes on Marcus Garvey, mentioning that through the 1920s there was a huge and important annual parade in Harlem - in which a contemporary newspaper reported that "fifty thousand Negroes of all ranks and stations in life and from every part of the globe - there were princes, high officials of various governments, [...] were in the line of march." (p. 190). Angela Davis regards her own image on 1970 "Wanted" poster. There are daguerreotypes, news photography, and portraiture. In some cases, the absence of photos - and of visual evidence - is the compelling theme.

St. Clair Bourne analyzes African American images in film, including the (cinematic) birth of stereotypes. A gorgeous and confident man exuding "carefree masculine identity," bell hooks' young father before he became a father, is the introductory image in her absorbing essay. E. Ethelbert Miller's "In My Father's House There Were No Images," is sad and disturbing. Disarmingly, he writes, "When you are the baby of the family, seldom do you know what is going on around you," and then proceeds to show that he knew very, very much. His story is compassionate, brilliant and wise. Carla Williams' "The Erotic Image is Naked and Dark," begins with a French daguerreotype from the 1850's in order to discuss physicality and representations of sexuality. Jacquie Jones writes about a photo of a 1930's lynching that as an eleventh grader she spotted in her (integrated) high school textbook "reproduced carelessly in the tome, added as an afterthought to whatever the text was (...)" recording for us the awful moment in which she, in fact, understood the 'banality of evil.' The image, she guesses, was not so unsettling to the white world - and, worse, that the spectators in the photo were, in all likelihood, still very much alive. Jones' deconstruction of her experiences of "intense, personal racism" is at the heart of her essay.

There are contributors' notes at the end, and detailed captions for each photograph. A great and beautiful book.






Dr. Willis has done something terrific here. She begins assertively and positively, naming a central problem: the depiction of black "otherness" in historical photographic representation. She loves photography, a medium that has "given me the opportunity to walk through history." She believes in photography - and her understanding of the medium's power and her ability to teach it to maximum effect are at the heart of this successful book.

Eighteen contemporary African American artists, writers, poets, professors, and critics contributed essays. As a jumping-off point, the contributors begin with a photograph of their choosing. There are around fifty photos in this book, one image often leading to another.

In some cases, the stories are easier to come by than the photos. Vertamae Smart-Grosvenor writes, "If family stories were photographs, I'd need a small museum to house them, but a shoebox could house all the photos I have of my family." Her amazing grandmother gazes forthrightly at the photographer, but it's the remarkable family stories that are left.

Big themes challenge the reader. Family histories, objective and subjective views of African American culture, suffering and diaspora are, not surprisingly, woven through many of these essays. Some of the photos are well-known; others, not. Contributors chose family photos, and others present personally experienced public images. Robert A. Hill writes on Marcus Garvey, mentioning that through the 1920s there was a huge and important annual parade in Harlem - in which a contemporary newspaper reported that "fifty thousand Negroes of all ranks and stations in life and from every part of the globe - there were princes, high officials of various governments, [...] were in the line of march." (p. 190). Angela Davis regards her own image on 1970 "Wanted" poster. There are daguerreotypes, news photography, and portraiture. In some cases, the absence of photos - and of visual evidence - is the compelling theme.

St. Clair Bourne analyzes African American images in film, including the (cinematic) birth of stereotypes. A gorgeous and confident man exuding "carefree masculine identity," bell hooks' young father before he became a father, is the introductory image in her absorbing essay. E. Ethelbert Miller's "In My Father's House There Were No Images," is sad and disturbing. Disarmingly, he writes, "When you are the baby of the family, seldom do you know what is going on around you," and then proceeds to show that he knew very, very much. His story is compassionate, brilliant and wise. Carla Williams' "The Erotic Image is Naked and Dark," begins with a French daguerreotype from the 1850's in order to discuss physicality and representations of sexuality. Jacquie Jones writes about a photo of a 1930's lynching that as an eleventh grader she spotted in her (integrated) high school textbook "reproduced carelessly in the tome, added as an afterthought to whatever the text was (...)" recording for us the awful moment in which she, in fact, understood the 'banality of evil.' The image, she guesses, was not so unsettling to the white world - and, worse, that the spectators in the photo were, in all likelihood, still very much alive. Jones' deconstruction of her experiences of "intense, personal racism" is at the heart of her essay.

There are contributors' notes at the end, and detailed captions for each photograph. A great and beautiful book.



Consigue las mejores fotos con tu camara digital (Ocio Digital / Leisure Digital) (Spanish Edition) (Paperback) newly tagged "photography"




Dear Readers: I've always identified myself as a photographer who writes. Photography comes very easily to me, while writing is very painful but satisfying when I'm done. I actually have a BA in Photo-Journalism from California State University, Chico. It's a special major I created that included courses in photography, writing, anthropology and languages. Back in the early 70s, when I was at school, this multidisciplinary approach was a bit unusual, but it definitely prepared me for the world of authoring books, and now, for the Internet where pictures and words, and even video can be seamlessly combined. I'm inspired by the wisdom of the I Ching, which states, "Writing cannot express words completely. Words cannot express thoughts completely. [But] words in conjunction with images may [be a] complete expression of thoughts."

As you can see by my long list of titles, I'm interested in many diverse subjects, ranging from sweat bathing, to county fairs, to Shinto, and to digital photography. At first glance the subjects may seem disconnected, but I feel there is a common theme, and it's one of wholeness. I like to think of myself as a bridge that brings together people and cultures, and the old and the modern. The bridge metaphor even extends to my method of communication, combining words and images, making the whole larger than the sum of the parts. I love authoring books because they are the perfect medium for putting everything into one package.

Your feedback and questions are very important to me. Please feel free to contact me directly at mikkel@cyberbohemia.com. I'll respond as quickly as I can. Thanks!






Dear Readers: I've always identified myself as a photographer who writes. Photography comes very easily to me, while writing is very painful but satisfying when I'm done. I actually have a BA in Photo-Journalism from California State University, Chico. It's a special major I created that included courses in photography, writing, anthropology and languages. Back in the early 70s, when I was at school, this multidisciplinary approach was a bit unusual, but it definitely prepared me for the world of authoring books, and now, for the Internet where pictures and words, and even video can be seamlessly combined. I'm inspired by the wisdom of the I Ching, which states, "Writing cannot express words completely. Words cannot express thoughts completely. [But] words in conjunction with images may [be a] complete expression of thoughts."

As you can see by my long list of titles, I'm interested in many diverse subjects, ranging from sweat bathing, to county fairs, to Shinto, and to digital photography. At first glance the subjects may seem disconnected, but I feel there is a common theme, and it's one of wholeness. I like to think of myself as a bridge that brings together people and cultures, and the old and the modern. The bridge metaphor even extends to my method of communication, combining words and images, making the whole larger than the sum of the parts. I love authoring books because they are the perfect medium for putting everything into one package.

Your feedback and questions are very important to me. Please feel free to contact me directly at mikkel@cyberbohemia.com. I'll respond as quickly as I can. Thanks!



Visual Strategies: A Practical Guide to Graphics for Scientists and Engineers (Paperback) newly tagged "photography"




Any scientist or engineer who communicates research results will immediately recognize this practical handbook as an indispensable tool. The guide sets out clear strategies and offers abundant examples to assist researchers—even those with no previous design training—with creating effective visual graphics for use in multiple contexts, including journal submissions, grant proposals, conference posters, or presentations.

Visual communicator Felice Frankel and systems biologist Angela DePace, along with experts in various fields, demonstrate how small changes can vastly improve the success of a graphic image. They dissect individual graphics, show why some work while others don't, and suggest specific improvements. The book includes analyses of graphics that have appeared in such journals as Science, Nature, Annual Reviews, Cell, PNAS, and the New England Journal of Medicine, as well as an insightful personal conversation with designer Stefan Sagmeister and narratives by prominent researchers and animators. (20110914)






Any scientist or engineer who communicates research results will immediately recognize this practical handbook as an indispensable tool. The guide sets out clear strategies and offers abundant examples to assist researchers—even those with no previous design training—with creating effective visual graphics for use in multiple contexts, including journal submissions, grant proposals, conference posters, or presentations.

Visual communicator Felice Frankel and systems biologist Angela DePace, along with experts in various fields, demonstrate how small changes can vastly improve the success of a graphic image. They dissect individual graphics, show why some work while others don't, and suggest specific improvements. The book includes analyses of graphics that have appeared in such journals as Science, Nature, Annual Reviews, Cell, PNAS, and the New England Journal of Medicine, as well as an insightful personal conversation with designer Stefan Sagmeister and narratives by prominent researchers and animators. (20110914)



 
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